Storytelling

Sharon Day, Ojibwe, is the Executive Director and co-founder of the Indigenous Peoples Task Force. She is an award winning artist and writer. She is the co-editor of Sing, Whisper, Shout, Pray! Feminist Visions for a Just World, and Drink of the Winds, Let the Water Flow Free. She has performed with Illusion Theater, the American History Theater, and Pangea World Theater. Her Poetry has been included in numerous anthologies including the St. Paul Almanac, Indigenous Women's Network and others.

Julia Gay is an actor, dancer, poet, playwright, and teaching artist. She completed her B.A. at Macalester College, studying American Studies, Urban Studies, and Theatre. She is in her third season as a dancer with Minneapolis based professional dance company, Ananya Dance Theatre (ADT). Julia is the recipient of The Playwrights' Center's 2017-18 Many Voices Mentorship and was one of five artists awarded the 2016-17 Creative Changemakers Apprenticeship by The DIAL Group.

Beliza Torres Narváez is an artist/scholar/educator, and theatre professor at Augsburg University. Since moving to the Minneapolis in 2015 she has directed Karina Casiano’s Silence is Health (Augsburg), she was a puppeteer in Bookworms Tales (HOTB), and she presented her solo performance Resabios de Amargura or that bitter cabaret (Strike Theatre).

Keila Anali is a theater maker in the twin cities and proud ensemble member of Pangea World Theater. Her first production "Only I" was performed last spring, "What I Have Left To Eat" is her second full(er) play and she is humbled by the opportunity. Keila's work is informed by her identity, the lands of which she is indigenous to, and a deep connection to spirit and ancestry. She's grateful to Hector and Patrick's Cabaret for making space for her in this special event.

Beverly Cottman, a multidisciplinary artist creating at the intersection of literary, visual, and performance art. She writes poetry, creates collage art works from found objects, tells African and African American folktales as Auntie Beverly, and in all things celebrates the rich heritage and culture of the African Diaspora.

marcie rendon is an enrolled member of the White Earth Nation. Rendon’s debut novel, Murder on the Red River (Cinco Puntos Press) is currently available. She is an author and sometimes a performance artist. She is the creative mind behind Raving Native Theater, which produced Rendon’s play Bring the Children Home at 4 venues in 2015-16, and the co-curator for Raving Native Date Nights in 2017.

 

Stephani Maari Booker of Minneapolis, MN, works on the page and on the stage with her multiple marginalized identities: African American, lesbian, lower-class, nerdy and sexy. Her science fiction has been published in Aphelion Webzine, The Future of Us: An Anthology and Jalada 02: Afrofuture(s). She also has nonfiction, erotic fiction and poetry in many other publications.

Ray Macairan is a twin cities artist, teacher and playwright. She is tisay and a second generation immigrant to the United States. This year she is working with Pangea World Theater as a part of their Arts Organizing Institute. This year she participated in Lightning Rod at Patrick’s Cabaret, X-treme Theater Smackdown with Theater Unbound, and the One Minute Play Festival.

Xochi de la Luna is an agender, queer 1st generation Salvadorian/Mexican immigrant,  artist, director, curator, actor, comedian, and musician. Xochi is decently well known in the arts community for their experimental theater meets radical cabaret show, Mother Goose’s Bedtime Stories . With the show Xochi tries to destroy the notion of creative scarcity. All the while providing a platform of empowerment for POC, LGBTQI and womxn by providing a fantastical atmosphere for radical vulnerability.
 

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